Put any track in a hall, plate or room with an online reverb plugin

The right space for each part

Plate on the lead, Room on the drums, Hall on the ballad: five modes in one plugin.

A tail that stays clean

LO CUT and HI CUT shape only the reverb, so it stays out of the bass and away from harsh highs.

What you hear is what you export

A fixed seed means playback, exports and stems get the same tail.

Singers and vocal producers

Puts a dry home-recorded vocal into a plate, room or hall, with pre-delay to keep the words clear.

Producers and beatmakers

Gives drums, keys and synths a sense of space, with five space types and filters that act on the tail only.

Ambient and film composers

Long halls, modulation and FREEZE build washes of up to about nine seconds under breakdowns and cues.

Podcast and audio-drama makers

Room and Ambience place a voice in a believable space for a scene, without the size of a concert hall.

A clear vocal plate

Choose Plate, set PRE to 20–30 ms so consonants land before the tail, and keep LO CUT near 150 Hz.

Drums in a room

Use Room or Ambience with a short DECAY on a drum track for a sense of space without a long tail.

A ballad hall

Pick Hall with a few seconds of DECAY and pull HI CUT down so a piano and vocal tail stays smooth rather than harsh.

A breakdown wash

Press FREEZE on a pad before the drop for a tail of up to about nine seconds.

Wide backing vocals

Set WIDTH up to 150% on the backing vocals' Reverb One so their space spreads wider than the lead's.

Reverb that grows

Automate MIX to rise into the final chorus, or automate OUT to pull the tail back in the verses.

A moving tail

Raise MOD for a gently moving tail on pads and clean guitars.

Echoes in the same room

Place Delay One above Reverb One on the track so the echoes blend into the same space.

Five modes

Each mode shapes density, reflections and brightness.

• Hall

  The widest spread and the slowest build, for big, long tails.

• Room

  A smaller spread and a quick build, for a natural, close space.

• Plate

  The brightest mode, with an almost instant build: smooth and dense.

• Chamber

  Between Room and Hall in size, build and brightness.

• Ambience

  The tightest spread and the fastest build, for a short sense of space.

Controls

Twelve controls in one window.

• SIZE, DECAY and PRE

  How big the space is, a decay of 0.1 to 8 seconds, and up to 200 ms of pre-delay.

• DAMP, LO CUT and HI CUT

  How quickly the highs fade in the tail, and filters on the reverb from 20 Hz to 1 kHz and from 2 to 20 kHz.

• WIDTH and MOD

  Stereo width of the tail up to 150%, and modulation for a gently moving tail.

• MIX, OUT and FREEZE

  Wet against dry, an output trim of ±24 dB, and an extra-long tail of up to about nine seconds.

Five spaces in one plugin

Hall, Room, Plate, Chamber and Ambience each shape density, early reflections and brightness differently.

The same tail every time

Reverb One builds its tail from a fixed seed, so playback, exports and stems all get the same reverb.

A tail that stays clean

LO CUT and HI CUT filter only the reverb, so the tail stays out of the bass and away from harsh highs.

From tight to vast

Go from a short Ambience to an 8-second Hall, or press FREEZE for an even longer wash under a breakdown.

Built-in spaces only

Reverb One generates its spaces from settings; it doesn't load your own impulse responses.

Changes apply on release

Turning a knob rebuilds the tail when you let go, so you hear the change after the move.

What you can automate

MIX, LO CUT, HI CUT and OUT can be automated; the other controls can't.

FREEZE is long, not endless

FREEZE sets a 9-second decay, so the tail runs up to about nine seconds; it doesn't hold the sound forever.

Is the Reverb One reverb plugin free?

Yes. Reverb One and Reverb • Space are included on every Soundverse plan, including Free, and use no tokens because they run in your browser inside AI Studio. Your plan sets the studio around them: on Free, a project holds up to 3 tracks and exports MP3, Creator raises that to 8 tracks and adds WAV, FLAC, AAC, OGG and stem export, and Pro raises it to 20.

How does Reverb One sound?

Reverb One is a convolution reverb: from the mode, size, decay and damping, it generates a stereo impulse response with early reflections and a tail that darkens as it fades, then runs your track through it, with optional modulation for movement. That gives smooth, dense tails for vocals, drums and pads. Its spaces are built from settings, not recorded in real rooms.

Can I use music with Reverb One on it commercially?

Reverb One changes how your music sounds, not who owns it. On the Free plan, what you make in Soundverse AI Studio is for personal use. Paid plans include a commercial license; the Pricing page lists what each plan covers. You need the rights to anything you bring into the project, including samples, stems and recordings.

What can't Reverb One do?

Reverb One doesn't load your own impulse responses or recordings of real spaces, and only MIX, LO CUT, HI CUT and OUT can be automated, not SIZE, DECAY, PRE, DAMP, WIDTH or MOD. FREEZE gives a long tail of up to about nine seconds rather than holding it forever. It works on the track you add it to, inside Soundverse AI Studio only.

What is Reverb One?

Reverb One is the reverb plugin in Soundverse AI Studio. You add it to any track and choose a hall, room, plate, chamber or ambience, then shape size, decay, pre-delay, damping, tone, width and modulation. It runs in your browser, renders the same tail on every export and is free on every plan.

What's the difference between Reverb One and Reverb • Space?

Reverb • Space is the quick reverb already on every new AI Studio track, switched off until you turn it on, with three knobs: Mix, Decay from 0.1 to 10 seconds and Pre Dly up to 200 ms. Reverb One is the full reverb you add from ADD EFFECT, with five modes, freeze, size, damping, tone filters, width and modulation.

Which reverb setting should I use on vocals?

Plate is a common choice for a lead vocal in Reverb One: bright and dense, with a short PRE of 10 to 30 ms so the words stay clear before the tail. Room or Ambience gives a closer, natural sound, and Hall or Chamber suits ballads and big choruses. Keep LO CUT around 150 Hz so the reverb doesn't cloud the low end.

Can I use Reverb One with Delay One?

Yes. Add both to the same track in Soundverse AI Studio and drag their slots to set the order. Delay One before Reverb One puts the echoes in the room, so they blend into the space; Reverb One before Delay One repeats the reverberant sound for a more obvious effect. Both are free on every plan.