Hip Hop, Intro – "The Omen" (0:00 - 0:15) Sound: A distant, detuned pipe organ playing Bach’s "Dies Irae" (medieval chant melody he often quoted). Beat: A slow, distorted 808 sub-bass creeps in with metallic clangs (like a hammer on an anvil). FX: Reverse reverb, vinyl crackle, and a deep Gregorian chant sample whispering in Latin. Verse – "Baroque Trap" (0:16 - 0:45) Melody: A chopped & screwed harpsichord riff from Bach’s "Toccata & Fugue in D minor" (but pitched down, warped). Drums: Half-time trap beat with gun-cock snares, distorted kicks, and clock-ticking hi-hats (symbolizing doom). Bassline: A Reese bass wobbling like a cathedral collapsing. Vocal Sample: A robotic voice growling "Memento mori" (medieval reminder of death). Chorus – "The Fugue Returns" (0:46 - 1:15) Hook: The full Toccata melody played on a synthesized violin with bitcrush distortion. Beat Switch: The drums morph into a 4/4 industrial stomp (like Gesaffelstein meets Travis Scott). Drop: Sudden silence, then a sub-bass earthquake and a choir screaming. Bridge – "Judgment Day" (1:16 - 1:45) Breakdown: A music box version of Bach’s "Art of Fugue" (unfinished masterpiece) playing backwards. Beat: Glitchy static, radio interference, and a nuclear alarm siren fading in. Final Choir Hit: A demonic vocoder chanting the last notes of "Come, Sweet Death" (Bach’s darkest hymn). Outro – "Silentium" (1:46 - 2:00) The organ drowns in reverb, the beat disintegrates into white noise, leaving only a single church bell tolling